Cillian Murphy’s early filmography is just as interesting as his face

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Cillian Murphy’s early filmography is just as interesting as his face

Illustration by Bailey Wood

Kofi Mframa, Opinions Editor

With a face carved by the hands of Michelangelo himself, Cillian Murphy’s film presence seldom goes unneeded. The Irish actor isn’t Hollywood’s most recognizable leading man. He’s spent most of his career traversing from underrated role to underrated role, giving him an incredibly diverse filmography. 

Now, as his titular role in Christopher Nolan’s “Oppenheimer” garners critical acclaim, I wanted to take a look at some of his previous projects. 

Red Eye (2005)

Starting off strong with this airplane-set thriller, “Red Eye” follows two strangers, Lisa Reisert, played by Rachel McAdams, and Jackson Rippner, played by Murphy, on a flight to Miami. Jackson’s charm entices Lisa at first, but things take an unexpected turn for the worst when his true intentions are revealed. 

Murphy deserved an Academy Award solely for his sassy line delivery in one particular scene — if you know, you know. The fact that he served face doing it makes it so much better.

Watching the Detectives (2007)

This rom-com follows a film nerd and video rental store owner whose life is turned upside down when a manic pixie dream girl type, played by the incomparable Lucy Liu, shows him life can be just as exciting and unpredictable as the films he obsesses over. 

Violet, Liu’s character, thrusts Neil, Murphy’s character, from crazy scenario to crazy scenario. For example, after the duo vandalize another local video store under Violet’s suggestion, she pranks Neil by getting two “detectives” to scare him into thinking he’s been caught.

Throughout the film, Violet tells Neil stories in which fact and fiction are hard to discern. One in particular includes a big, bald musician she once dated who stalks her. She ends up pulling another ruse on the now paranoid Neil, faking an abduction by this bald ex that leads to a violent resolution.

I hope this movie inspires film bros to go outside and experience the world beyond the screen — though, hopefully not to the same extent as Neil did.

Breakfast on Pluto (2005)

In this drama, our blue-eyed beauty plays a transgender woman named Patrick “Kitten” Braden. After her mother abandoned her on the steps of a priest’s home, she leaves her small town in Ireland for London in search of her mother and a freer place to fully live her trans identity.

Her journey through London finds her falling in love with the lead singer of a glam rock band and singing and dancing as a member of the children’s entertainment group, The Wombles. She becomes a magician’s assistant and is ultimately forced into prostitution where she narrowly escapes a violent attack by iconically spraying her assailant in the eyes with Chanel No. 5. 

Murphy’s performance is striking and campy throughout as he buoys the hardships of the trans experience with Kitten’s whimsy and aversion to taking anything seriously. 

The costuming is also absolutely scrumptious. From a certain leather ensemble to the myriad of furs, this is certainly Murphy’s most glamorous role to date.

In Time (2011)

This dystopian quasi-thriller takes place in a society where time is currency. Citizens are genetically-engineered to not age past 25, and when they do reach that age, they are given one more year to live. Time is exchanged from person to person and is stored in capsules; citizens can gain time by working, bartering, stealing or fighting for it.

Though the concept is interesting, the execution leaves much to be desired. Even though the cast is full of familiar faces: Amanda Seyfried, Olivia Wilde, Johnny Galecki and Justin Timberlake — yes, it’s from that weird era where they tried to make Timberlake a movie star, it seems like everyone here forgot how to act. 

With the exception of Murphy, of course. Here, he plays a so-called “Timekeeper,” a select group of individuals tasked with keeping the peace and investigating “time crimes.” Murphy portrays his character, Raymond Leon, with a cold suaveness and a certain sassiness that’s innate to Murphy. The leather jacket and dark, slicked back hair is just a cherry on top.

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