Battles emerge from ‘Mirrored’ The breakthrough first album from Battles

The terms prog-rock, industrial, math-rock, indie, post-rock and
experimental all seem inexplicably mundane when hearing Battles’ 2007
release, “Mirrored.”

The mathematical inclination of this record is complex and dazzling.
By layering seemingly unrelated melodies and rhythms, Battles is doing
something – if not altogether new – entirely exciting. Many of the tracks
start off sounding like the soundtrack to a video game or the faint melodies
of a music box heard through an air vent.

The simple opening moments of these songs couldn’t contrast more
greatly to what the songs become.

At some moments, I’m reminded of Faraquet’s metallic precision, and
later I find myself thinking back to the industrial drone of Nine Inch
Nails or Marilyn Manson. After a few tracks, these descriptions no longer
apply. The vibe becomes more like Umphrey’s McGee meets electronic
sea shanties followed by Alvin and the Chipmunks on amphetamines.
Situating Battles amongst other acts – though necessary – seems
futile.

With “Mirrored” as the band’s first full-length endeavor, Battles’ team
of veteran musicians has broken into the indie-psychedelic community
with sheer momentum. Billed to play the Coachella and Bonnaroo music
festivals this summer, Battles has acquired some of the most coveted gigs
in the world as a relative zygote.

This doesn’t come as a shock. Battles’ members include Ian Williams
of Don Caballero, John Stanier of Helmet, David Konopka of Lynx and
solo artist Tyondai Braxton.

This all-star line up hasn’t gone ignored.

Check out “Mirrored,” or see Battles live June 14 at the 9:30 Club. Or
do neither. It’s your choice. Cheers.

Four out of Five on The Burn-O-Meter.