CD Review: Erasure’s Nightbird

On January 25 techno-pop group Erasure released “Nightbird” on Mute Records. Already the single “Breathe” is in the top five in the United Kingdom. Fans have welcomed the album, released on their 20th anniversary, as a comforting return to their classic sound. Since the duo’s debut in 1986, Vince Clark, previously of Yaz and Depeche Mode, and Andy Bell have been known as classic techno-pop musicians. Those that know Erasure best enjoy their romantic lyrics and the types of topics they deal with in their songs. These include love, loss, and loneliness. Andy Bell’s choirboy-like vocals evoke emotion from listeners, and compliment Clark’s icy synth beats perfectly. Like other classic ’80s artists- such as Duran Duran, U2 and The Pixies- Erasure has been putting albums out through the ’90s and beyond. However, while most other bands have made at least some incremental changes to get with the times, “Nightbird” might as well have been an unreleased album or a B-side cut. From its first track to the last, the shrill tones of the synthesizer and caustic samples make you wonder whether Erasure is even trying to attract new fans. While they have a fairly large fan base, it certainly appears that they are marketing to fans well acquainted with their sound. Emotions run high as the sappy lyrics take hold of you like a stereotyped emo kid, who mopes in thick-framed glasses while reading a romance novel after his girlfriend broke up with him. The themes of the album don’t get any deeper than the old “it’s good to love and be loved in return.” One has to wonder if there is anything more to life, or more importantly, is there anything else Erasure has to offer?